Modelling of Gamakas for Karnatic Flute Music Synthesis
Date
2021
Authors
M, Ragesh Rajan.
Journal Title
Journal ISSN
Volume Title
Publisher
National Institute of Technology Karnataka, Surathkal
Abstract
In this work, we propose a spectral model to efficiently synthesise Karnatic bamboo flute music from the notes, duration, and raga information of a song. Karnatic flute music synthesis from basic notations is a challenging
problem due to two major reasons. The first one is that the gamakas
are generally omitted from the musical notations in the tradition of KM.
Hence, for the automatic synthesis of KM, the gamakas associated with
every note need to be predicted from the musical notations. The second
reason is the continuously varying pitch contour of a note in the presence
of gamakas.
We propose a method to detect the presence and type of gamakas associated
with each note in a data-driven manner, from the annotated symbolic
music alone. In this regard, we propose features based on the notes of the
song. These features are used as inputs to a Random Forest Classifier
(RFC). From our experiments, the accuracy values obtained for predicting
the presence and type of gamakas are 77% and 70%, respectively.
These are significantly better than random classification accuracies. We
also analyse the importance of neighbourhood of notes for the detection
and classi cation of gamakas. It is observed that the best accuracy is obtained
for gamaka presence detection when a both-sided neighbourhood
of size three is considered; and the best accuracy for gamaka type prediction
is obtained with a both-sided neighbourhood of size one. The
analysis performed on the training data reveals that there is information
contained in these neighbourhoods for distinguishing between gamaka and
non-gamaka notes.
For synthesising Kar _ n at.ic
ute music, we model three di erent components
of the
ute sound, namely, pitch contour, harmonic weights, and
time domain amplitude envelope. Cubic splines are used to parametrically
represent these components. Subjective analysis of the results shows that
the proposed method is better than the existing popular methods in terms
of tonal quality as well as the propriety of rendering gamakas. Hypothesis
test results show that the observed improvements over other methods are
statistically signi cant at 95% con dence interval.
Description
Keywords
Department of Electronics and Communication Engineering, Gamaka, Karnatic Music, note-based features, Rondom Forest Classifier, symbolic music, flute music synthesis, cubic spline interpolation